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Delmore Schwartz (December 8, 1913 – July 11, 1966) was an American poet and short story writer.
Schwartz spent time at Columbia University and the University of Wisconsin before graduating with a B.A. from New York University in 1935. He then did some graduate work in philosophy at Harvard University, where he studied with the philosopher Alfred North Whitehead, left and returned to New York without receiving a degree. He also had expressed feeling rejected by the English department at Harvard on account of his Jewish identity.
In 1937, he married Gertrude Buckman, a book reviewer for Partisan Review, whom he divorced after six years.
For the next couple of decades, he continued to publish stories, poems, plays, and essays, and edited the Partisan Review from 1943 to 1955, as well as The New Republic. Schwartz was deeply upset when his epic poem, Genesis, which he published in 1943 and hoped would stand alongside other Modernist epics like The Waste Land and The Cantos as a masterpiece, received a negative critical response. Later, in 1948, he married the novelist Elizabeth Pollet. This relationship also ended in divorce.
In 1959, he became the youngest-ever recipient of the Bollingen Prize, awarded for a collection of poetry he published that year, Summer Knowledge: New and Selected Poems. His poetry differed from his stories in that it was less autobiographical and more philosophical. His verse also became increasingly abstract in his later years. He taught creative writing at six universities, including Syracuse, Princeton, and Kenyon College.
In addition to being known as a gifted writer, Schwartz was considered a great conversationalist and spent much time entertaining friends at the White Horse Tavern in New York City.
Much of Schwartz's work is notable for its philosophical and deeply meditative nature, and the literary critic, R.W. Flint, wrote that Schwartz's stories were "the definitive portrait of the Jewish middle class in New York during the Depression."R. W. Flint, "The Stories of Delmore Schwartz", Commentary, April 1962. In particular, Schwartz emphasized the large divide that existed between his generation (which came of age during the Depression) and his parents' generation (who had often come to the United States as first-generation immigrants and whose idealistic view of America differed greatly from his own). In another take on Schwartz's fiction, Morris Dickstein wrote that "Schwartz's best stories are either poker-faced satirical takes on the bohemians and outright failures of his generation, as in 'The World Is a Wedding' and 'New Year’s Eve,' or chronicles of the distressed lives of his parents' generation, for whom the promise of American life has not panned out."
A selection of his short stories was published posthumously in 1978 under the title In Dreams Begin Responsibilities and Other Stories and was edited by James Atlas, who had written a biography of Schwartz, Delmore Schwartz: The Life of An American Poet, two years earlier. Later, another collection of Schwartz's work, Screeno: Stories & Poems, was published in 2004. This collection contained fewer stories than In Dreams Begin Responsibilities and Other Stories but it also included a selection of some of Schwartz's best-known poems like "The Heavy Bear Who Goes With Me" and "In The Naked Bed, In Plato's Cave". Screeno also featured an introduction by the fiction writer and essayist, Cynthia Ozick.
Schwartz was interred at Cedar Park Cemetery, in Emerson, New Jersey.
Schwartz's former student at Syracuse University, Lou Reed, was the singer and principal songwriter for the band the Velvet Underground. Wanting to dedicate a song to Schwartz on their debut album, The Velvet Underground and Nico, Reed chose "European Son" as it had the fewest lyrics; rock and roll lyrics were something Schwartz abhorred. The song was recorded in April 1966, three months before Schwartz's death, but was not released until March 1967. According to musicologist Richard Witts, the song "reads like little more than a song of loathing" toward Schwartz, who refused to see Reed while living at the Chelsea Hotel. Some pressings of The Velvet Underground & Nico referred to the song as "European Son (to Delmore Schwartz)".
Lou Reed's 1982 solo album The Blue Mask includes his second Schwartz homage with the song "My House". A more direct tribute to Schwartz than the Velvet Underground's "European Son", the lyrics of "My House" are about Reed's relationship with Schwartz. In the song, Reed writes that Schwartz "was the first great man that I ever met".Reed, Lou. "My House". The Blue Mask. RCA: 1982.
In the June 2012 issue of Poetry magazine, Lou Reed published a short prose tribute to Schwartz entitled "O Delmore How I Miss You". Reed, Lou. "O Delmore How I Miss You". Poetry: June 2012 In the piece, Reed quotes and references a number of Schwartz's short stories and poems including "In Dreams Begin Responsibilities", "The World Is a Wedding", and "The Heavy Bear Who Goes with Me". "O Delmore How I Miss You" was re-published as the preface to the New Directions 2012 reissue of Schwartz's posthumously published story collection In Dreams Begin Responsibilities and Other Stories.Marmer, Jake. "Lou Reed's Rabbi". Tablet Magazine. Retrieved May 5, 2014. [3]
Another musician to pay tribute to Schwartz is Bono, the lead singer of the Irish rock band U2, who was inspired by the poet's work when writing the lyrics of U2's "Acrobat". The song, from the band's 1991 album Achtung Baby, is dedicated to the poet and in its final verse is quoted the title of his book In Dreams Begin Responsibilities.U2 (1991). Achtung Baby (music album). London, United Kingdom: Island Records. CIDU28, 510347-2. Liner notes. "Acrobat", lyrics. U2 Official Website. Retrieved January 14, 2018.
In 1968, Schwartz's friend and peer, fellow poet John Berryman, dedicated his book His Toy, His Dream, His Rest "to the sacred memory of Delmore Schwartz", including 12 elegiac poems about Schwartz in the book. In "Dream Song #149", Berryman wrote of Schwartz,
In the brightness of his promise,
unstained, I saw him thro' the mist of the actual
blazing with insight, warm with gossip
thro' all our Harvard years
when both of us were just becoming known
I got him out of a police-station once, in Washington, the world is tref
and grief too astray for tears.John Berryman, "Dream Song #149" in His Toy, His Dream, His Rest. New York: Farrar, Straus, and Giroux, 1968.
The most ambitious literary tribute to Schwartz came in 1975, when Saul Bellow, a one-time protégé of Schwartz, published his Pulitzer Prize-winning novel Humboldt's Gift, which was based on his relationship with Schwartz. Although the character of Von Humboldt Fleischer is Bellow's portrait of Schwartz during Schwartz's declining years, the book is actually a testament to Schwartz's lasting artistic influence on Bellow. Although he is a genius, the Fleischer/Schwartz character struggles financially and has trouble finding a secure university teaching position. He becomes increasingly paranoid and jealous of the success of the main character, Charlie Citrine (who is based upon Bellow himself), becoming isolated and descending into alcoholism and madness.
Charles Bukowski wrote a biographical poem about Schwartz, published in his posthumous Open All Night. He characterized Schwartz's writing:
his criticism was brilliant in its rancor and decisiveness;
he was really more of a bitch than a bard-
his poetry too fawning and delicate.
as a critic he was a good surgeon,
as a poet he was stalled in a kind of stale whimsy.Charles Bukowski, "in dreams begin responsibilities". Collected in Open All Night, Ecco Press, New York, 2002.
In 1996, Donald Margulies wrote the play Collected Stories, in which an aging writer and teacher reveals to a young student that she once had a great affair in her youth with Schwartz in Greenwich Village while Schwartz was in declining health from alcoholism and mental illness. The student then controversially uses the affair revelation as the basis for a successful novel. The play was produced twice off-Broadway and once on Broadway. New York Times review of Collected Stories
In John A. McDermott's poetry collection The Idea of God in Tennessee, he includes a poem written for and referencing Schwartz, titled The Poet's Body, Unclaimed in the Manhattan Morgue. The poem makes mention of Schwartz's writing, daily habits, and death.
A play by Romulus Linney about Schwartz's friendship with Milton Klonsky, Schwartz's protege and friend and a writer of nonfiction, was presented at Ensemble Theater Company in New York City in November and December 2005, and at The Redhouse Theatre in Syracuse, N.Y., during its 2004/05 season.
In the final episode of the third season of True Detective, Wayne Hays' (Mahershala Ali) wife, Amelia Reardon (Carmen Ejogo), reads to her students "Calmly We Walk through This April's Day".
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